Present with POV, radar and overhead tools

Broadcast footage shows a player what happened. Player POV and the overhead view show them what they could have seen, and where the space was, which is usually the conversation you actually want. When Veo has tracked a match, every clip in the deck can open from any player's eyes or from straight above, and you can switch between them while the room watches.

• The match needs Veo's player tracking. It usually arrives a few hours after the match; a match without it still presents as ordinary video.
• Set clips up in the editor on a computer, as in Build a clip deck slide by slide.
• Decide where you're presenting: your own screen, a projector, or the clubroom TV (pair it first, as in Turn match footage into Club TV).

Select a clip. On a tracked match its panel has Show as: Video, Player POV or Overhead. This is the view the clip starts on when you present, and you can still switch live, so pick the one that makes the point fastest.

• Player POV adds View as, where you pick whose eyes the clip is seen through. If Veo could tell the opposition's players apart, there's an Opposition tab next to Our team. That lets a goal conceded open from the striker who found the gap, not just from your own back line.
• Overhead gives you the whiteboard tools. Zones splits the pitch into its five vertical channels and is on to begin with. Trails draws the recent path of each player you've selected. Tap players on the pitch to connect them and see the distances between them. None of this is saved with the slide; the same tools are there while you present, so set them up live.
• Video keeps the Veo footage, with the Tactical radar laid over it (on by default) showing everyone's positions. Turn it off for a clip where you want the room on the footage alone. What the radar shows is explained in the tactical radar answer.

If the coach drew on a clip in Veo, a Coach drawings switch appears. With it on, the clip pauses at each drawing's moment and shows it (see coach drawings).

On a tracked clip you can turn on Freeze before outcome. Drag Freeze at to the moment before the decision, then type the Question you want the room to answer, such as "Where should your starting position be here, and why?"

When you present, the clip stops at that moment with the question on screen. Nothing plays until you move on, so the room has to commit to an answer before it sees what happened. Where tracking covers that moment, the freeze can also show the keeper's depth, the ball's distance and the angle to goal (the Depth + ball distance and Goal-angle cone switches), which makes it the natural tool for keeper and defending reviews.

The clip's panel tells you where the match is up to:

• Reconstruction still processing means tracking usually lands a few hours after the match. Check back before the session.
• Reconstruction is taking longer than usual means it may still come through.
• Player tracking isn't available for this match means it won't. The clip plays as ordinary video with the coach's drawings; only Player POV, Overhead and the radar are missing.

Look at the panel before you tell a coach a reconstruction will be in tomorrow's session. If Show as isn't on the clip today, it isn't ready.

Open the menu beside Present and choose how:

• Full screen shows the deck on the screen you're using. Use it on a laptop plugged into the TV, or as the fallback when the room's screen won't play.
• Presenter view is for a projector or second screen. The deck opens in a new window for you to move onto the projector, and your laptop becomes the remote: the current slide, the next one, a timer, a slide count such as 3 / 12, play and pause, and End. The mute button only silences the preview on your laptop. It's there in the full editor on a computer.
• Send to Club TV plays the deck on the clubroom screen and gives you the same remote. The TV has to be switched on and showing the club's Presentations list; if no screen is, you're offered the set-up instead. Send it from a computer, because a phone doesn't become the remote.

While a clip plays, the controls along the top switch it between Video, Player POV and Overhead, change whose eyes you're watching through, and turn Zones and Trails on and off. When a player asks "what could they actually see?", the answer is one tap away. On a Play slide the same bar switches between Plan, 3D and Player POV and turns Zones on and off. A slower screen shows a Play slide as the plan.

Some slides move in steps before the next slide. A heatmap goes from the first half to the second, a clip with a freeze holds on the question before playing the outcome, and a Play slide with more than one frame moves through them in turn, labelled Step 1, Step 2 and so on in a row under the pitch so the room can see where it is. Step forward onto a Play slide from the same match's lineup slide just before it, and the players glide from the lineup into their places instead of the slide cutting in. The arrow keys move forward and back, Space plays and pauses a clip (and moves on everywhere else), K also plays and pauses, and J and L nudge the clip back or forward a fraction of a second when you want the exact frame. A coach drawing waits on screen until you click it or press play. Esc leaves the presentation, and moving on from the last slide ends it. A pre-match deck is the exception: it stays on its last slide, so the starting XI can stay up while the squad gets ready.

Ending a presentation you ran from the editor, including one on the Club TV, marks the deck Presented. You don't need to do anything else to keep the list up to date.

• Goals conceded opened from a defender's or the keeper's eyes, not only from the camera.
• At least one freeze made the room answer before the outcome played.
• You knew which of this week's matches had tracking before you promised a reconstruction.